All agencies · UGC & Creator Content

Cohley review

Strong fit for UGC & Creator Content

Shortlist-ready for UGC & Creator Content, with the caveats below.

The only vendor in the category that treats compliance as a product: creators certified on FTC disclosure before they enter a brief, rights-cleared music with automated copyright checking, AI review of every submission against the brief, SOC 2 and pentest — on top of perpetual rights across all channels. Its pricing page contains no prices.

No published price we can link to. We do not estimate one — ask on the call, and see the pricing-transparency line in the scores below.

Score 3.68/5Confidence: mediumLast evaluated 2026-08-11Website
64 visitsAll visits recorded since 2026-08-20. People only: 71 crawler and tooling requests over the same period are counted separately and are not included here.

How it scored

Every dimension is scored against this discipline’s published rubric. Open one to see the claim it was scored on, what the rubric measures there and how much it weighs, and where the evidence came from.

How we scored this

We read the agency’s public record first-hand — its site, pricing, case studies and independent reviews — and score what is checkable: what is published, not how it is phrased. There is no keyword counting or sentiment scoring. The label is a judgment on those facts, which is why each dimension shows the fact that decided it, the band it was judged against, and the sources — so you can check the call, and tell us if you think it is wrong. The full method, and who pays, is on how we vet.

Usage rights, term and paid amplificationExcellent

Excellent — 5 of 5 on this rubric’s scale, from Poor (1) to Excellent (5). This dimension carries 25% of the total score.

Benchmark — across the 12 other agencies evaluated in this discipline, this dimension runs Excellent 2 · Strong 4 · Adequate 3 · Weak 3. The typical agency here scores Strong, and none scores higher than this one.

What this dimension measures: The decisive term and the one most often left unwritten. Marketing copy that promises more than the contract grants is a contradiction, not evidence: score the contract and record the gap.

Scores high — A vendor that publishes an irrevocable, worldwide, all-media assignment covering paid, and states the whitelisting term, scores 5.

Scores low — Score four things together: (a) duration — perpetual or lifetime scores high, a fixed window (30/90/180 days) is a real constraint and should be scored on its length, silence scores 2; (b) territory and media — worldwide and all-media scores 5, digital-only or an explicit print/OOH carve-out scores 4 because the exclusion is at least disclosed, an undisclosed scope scores 2; (c) paid media — does the licence expressly cover running the asset as an ad, or only organic and owned use; (d) whitelisting — can the brand run the ad from the creator's own handle (Meta Partnership Ads, TikTok Spark Ads), is that included or charged for, and for how long. A vendor whose terms define content rights as 'whatever the brand and creator agree per order' — no platform-level grant at all — scores 2 regardless of how transparent it is about saying so, because the highest-stakes term has been pushed onto the buyer to negotiate one creator at a time. Silence anywhere in (a)-(d) scores 2, never unknown.

What we found — 'Every asset includes full, perpetual usage rights. No licensing fees, expiration dates, or surprises when you repurpose content months later.' Listed as an included line item on both plan tiers. Music is separately rights-cleared and copyright-checked so assets are 'cleared for long-term use from day one'. Paid social including influencer partnership ads is a named use case. That is the high band above, which is why it scored Excellent.

On the record — “'Every asset includes full, perpetual usage rights. No licensing fees, expiration dates, or surprises when you repurpose content months later.' Perpetual content rights is listed as an included feature on both the Platform and Managed Services plans.” cohley.com ↗

Evidence: verified — checked against a named source you can open; the links under Sources below are where to check it yourself.

Creator sourcing and vetting depthExcellent

Excellent — 5 of 5 on this rubric’s scale, from Poor (1) to Excellent (5). This dimension carries 15% of the total score.

Benchmark — across the 12 other agencies evaluated in this discipline, this dimension runs Excellent 1 · Strong 2 · Adequate 4 · Weak 5. The typical agency here scores Adequate, and none scores higher than this one.

What this dimension measures: How are creators found, and what is actually checked before one is put in front of a brand? Score 5 only where the vetting is checkable or the criteria are published. Treat internally inconsistent roster figures on the vendor's own pages as a verified finding and score down: a number the vendor contradicts on its own site is not a number. Managed selection (the vendor shortlists) scores above pure self-serve search only where the shortlisting criteria are described.

Scores high — Depth, not headcount: a described method — portfolio review, audience-quality analysis, past-brand performance, prior ad results, a certification step — scores 4-5.

Scores low — A large roster with the single word 'vetted' and no stated criteria scores 2-3; a pool in the millions with no described standard scores lower than a curated pool of thousands with one, because at that scale 'vetted' means 'signed up'.

What we found — A 200,000+ pre-vetted creator network; the platform's agent vets applicants against the brand's stated criteria, and brands then select on portfolios, social analytics and past brand reviews. Described method rather than a headcount. That is the high band above, which is why it scored Excellent.

On the record — “Network of 200,000+ vetted creators; brands post a creative brief and creators apply, with the platform's agent vetting applicants against the brand's criteria and brands selecting on portfolios, social analytics and past brand reviews.” cohley.com ↗

Evidence: verified — checked against a named source you can open; the links under Sources below are where to check it yourself.

Brief-to-delivery cycle timeWeak

Weak — 2 of 5 on this rubric’s scale, from Poor (1) to Excellent (5). This dimension carries 15% of the total score.

Benchmark — across the 12 other agencies evaluated in this discipline, this dimension runs Excellent 1 · Strong 2 · Adequate 1 · Weak 8. The typical agency here scores Weak, and 4 of them score higher than this one.

What this dimension measures: Days from an approved brief to usable files in hand — the operating constraint on how fast a creative test loop can turn. A published, specific figure (e.g. Two-to-three weeks scores 3: real, published, and slow. Where the model requires physical product to be shipped to each creator before filming, say so: shipping is inside the cycle and it is rarely counted in the vendor's number.

Scores high — 'content in 7-10 business days', 'first applications in 1-3 business days') scores 4-5; a contractual delivery deadline binding the creator scores 5, since that is a commitment rather than an average.

Scores low — Relative claims ('75% faster', 'fresh creative every week') are marketing, not a cycle time — score 2. No figure anywhere scores 2.

What we found — No cycle time published. The only speed evidence is a client-attributed '75% faster content production' and '5x faster creator sourcing' — ratios against an unstated baseline, not a number of days. That is what the low band describes, which is why it scored Weak.

Evidence: vendor stated — the agency’s own claim, recorded as theirs rather than ours.

Stronger here: Influee scores Excellent on the same dimension.

Volume and throughput per monthWeak

Weak — 2 of 5 on this rubric’s scale, from Poor (1) to Excellent (5). This dimension carries 15% of the total score.

Benchmark — across the 12 other agencies evaluated in this discipline, this dimension runs Excellent 3 · Strong 5 · Adequate 1 · Weak 3. The typical agency here scores Strong, and 9 of them score higher than this one.

What this dimension measures: How many finished assets can a buyer actually get in a month, and is the ceiling knowable in advance? Where a vendor names a client, live ads in the Meta Ad Library can contradict a volume claim; that contradiction is a verified Poor.

Scores high — Published per-plan volumes (collaborations per month, videos per credit pack, creators per campaign) score 4-5 even when modest, because the buyer can forecast. Genuinely budget-bound throughput on a marketplace — pay per creator, no queue — scores 4, but only where nothing else caps it.

Scores low — 'Unlimited' with no stated concurrency, campaign cap or asset count scores 2: unlimited submissions is not throughput. Aggregate lifetime or platform-wide figures ('230K pieces of content created', 'thousands of assets each month across all brands') are not per-client volume and score 2.

What we found — Platform-wide totals only ('Thousands' of assets generated, '500+' creator collaborations). No per-client monthly volume published, and pricing scales with content volume without stating what any tier buys. That is what the low band describes, which is why it scored Weak.

Evidence: vendor stated — the agency’s own claim, recorded as theirs rather than ours.

Stronger here: Influee scores Excellent on the same dimension.

Performance feedback loopStrong

Strong — 4 of 5 on this rubric’s scale, from Poor (1) to Excellent (5). This dimension carries 12% of the total score.

Benchmark — across the 12 other agencies evaluated in this discipline, this dimension runs Excellent 1 · Strong 3 · Adequate 3 · Weak 5. The typical agency here scores Adequate, and 1 of them score higher than this one.

What this dimension measures: Does anything the vendor measures come back and change the next brief? Where the loop exists but the measured outcome is organic social metrics or a content score rather than ad results, cap at 4. Iteration only on client-relayed feedback scores 3. 'Boost ad performance' as a benefit claim on a landing page is not a loop.

Scores high — A named loop — results read, winners identified, next round briefed off them — scores 4-5, and 5 requires the measured outcome to be ad-account performance (CPA, ROAS, spend reallocation), not engagement.

Scores low — A pure order-and-receive marketplace, where the vendor never learns what happened to the asset, scores 2 — that is the honest score for most of this category and it is the line between a content supplier and a performance creative partner.

What we found — A named loop: performance analysis surfaces best creators and angles and feeds recommendations over time, with the agent learning from every brief. Capped below Excellent because the measured outcome described is social metrics rather than ad-account performance. That is the high band above, which is why it scored Strong.

ROAS — return on ad spend: revenue per dollar of advertising. Platform-reported ROAS overstates; independently measured ROAS is the honest version.

Evidence: vendor stated — the agency’s own claim, recorded as theirs rather than ours.

Disclosure and FTC complianceExcellent

Excellent — 5 of 5 on this rubric’s scale, from Poor (1) to Excellent (5). This dimension carries 8% of the total score.

Benchmark — across the 12 other agencies evaluated in this discipline, this dimension runs Adequate 3 · Weak 9. The typical agency here scores Weak, and none scores higher than this one.

What this dimension measures: Creator content carries endorsement-disclosure liability that lands on the advertiser, not the creator. Do not credit adjacent compliance for this: GDPR, SOC 2 and data-processing language are not endorsement disclosure. Where the vendor also clears music and third-party rights, or checks submissions against the brief before they reach the brand, note it here — it is the same risk-transfer question.

Scores low — Score: creators contractually required to disclose, plus a training/certification step and monitoring, scores 5; a contractual disclosure obligation with no monitoring scores 3-4; nothing published anywhere scores 2 with LOW confidence rather than a heavy penalty, since most of this category never addresses it in public.

What we found — Creators are 'trained and certified on FTC disclosure requirements before they enter a brief'. Rights-approved music library with automated copyright checking, AI scoring of every submission against the brief's non-negotiables before it reaches the brand, plus SOC 2 and pentest. The only vendor here that addresses endorsement disclosure at all.

On the record — “Creators are trained and certified on FTC disclosure requirements before entering a brief; creators select from a rights-approved music library and every submission is automatically checked for copyright violations; AI Asset Analysis scores every submission against the brief before it reaches the brand's queue. SOC 2 and pentest are listed as included compliance features.” cohley.com ↗

Evidence: verified — checked against a named source you can open; the links under Sources below are where to check it yourself.

Pricing and commercial transparencyWeak

Weak — 2 of 5 on this rubric’s scale, from Poor (1) to Excellent (5). This dimension carries 10% of the total score.

Benchmark — across the 12 other agencies evaluated in this discipline, this dimension runs Excellent 5 · Strong 4 · Adequate 1 · Poor 2. The typical agency here scores Strong, and 10 of them score higher than this one.

What this dimension measures: Score commercial terms alongside the number: month-to-month and no-contract score up; annual lock-in, non-refundable fees and expiring credit balances score down and should be named.

Scores high — Published per-asset, per-creator or per-month pricing scores 4-5; scores 5 where the creator payment itself is included or its floor is published, since a subscription price that excludes the actual cost of content is half a number. Published tiers with the platform fee and any marketplace percentage stated score 5. A published floor with no rate card scores 4.

Scores low — A pricing page carrying no prices scores 2. No public anchor at all, quote-only, scores 1 — and a pricing URL that now redirects to a login wall or has been removed from the sitemap is a withdrawal of disclosure and scores 1 on verified evidence.

What we found — A published pricing page containing no prices: two named plans with a feature comparison, an optional three-month paid pilot, and 'all plans have custom pricing based on the amount of content you generate'. Structure without an anchor. That is what the low band describes, which is why it scored Weak.

On the record — “The pricing page publishes no prices at all: two plans (Platform, Managed Services), an optional 3-month paid pilot, and the statement 'All plans have custom pricing based on the amount of content you generate.'” cohley.com ↗

Evidence: verified — checked against a named source you can open; the links under Sources below are where to check it yourself.

Stronger here: Influee scores Excellent on the same dimension.

Verdict

Cohley is built for the buyer whose real exposure is not creative quality but legal and brand risk, and it is the only option here that has productised that. Creators are trained and certified on FTC disclosure requirements before they enter a brief; music comes from a rights-approved library with automated copyright checking on every submission; every asset is scored against the brief's non-negotiables by the platform's AI before it reaches the brand's queue; and the company carries SOC 2 and pentest attestations. Nothing else in this file addresses endorsement disclosure at all.

Rights are equally clean — perpetual usage across all channels with no licensing fees or expiration dates, stated on the product pages and repeated as a line item on both plan tiers — and paid social, including influencer partnership ads, is a named use case rather than an afterthought. Sourcing is the deepest self-serve vetting here: a 200,000+ pre-vetted network where brands select on portfolios, social analytics and past brand reviews, with the AI agent screening applicants against stated criteria first. Two things keep it out of the top of the range.

Neither cycle time nor per-client volume is published anywhere: the only speed evidence is a client-quoted '75% faster content production' and '5x faster creator sourcing', which are ratios against an unstated baseline rather than a number of days, and the volume figures on the site are platform-wide totals. And the pricing page is a pricing page with no prices — two named plans, a feature comparison, an optional three-month paid pilot, and 'custom pricing based on the amount of content you generate'. That is better than silence and worse than a number, and it means no buyer can compare Cohley to anything else in this file without a sales call.

Sensible shortlist entry for a mid-market or enterprise brand with a legal function; overkill, and unpriceable, for a small team buying its first ten videos.

What you can do next

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What we verified

Each claim below was checked against a named source, last on 2026-08-11. Follow any of them and check for yourself — that is the point of publishing them.

What other platforms say

G2 4.4 (70)

Well regarded on a moderate review base as a content operations platform for mid-market and enterprise brands, with strategic support cited as a strength.

These are other platforms' numbers, not ours. We report them because they are part of the picture, and we do not average them into our score — our score comes from the published rubric above.

Red flags

What we could not verify

Sources

Others we evaluated in UGC & Creator Content

Same rubric, same evaluator, same date range — so these are directly comparable to the verdict above.

See all 13 UGC & Creator Content agencies we evaluated →

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