Thinkmojo review
Worth a conversation about Video Production once the caveats below are settled.
A 2012-founded SF/Montreal video and motion studio with 40+ named tech-client case studies (Slack, Asana, Google, Salesforce) and current 2026 work, but no published pricing, process, timelines, rights terms, or a single independent review.
No published price we can link to. We do not estimate one — ask on the call, and see the pricing-transparency line in the scores below.
How it scored
Every dimension is scored against this discipline’s published rubric. Open one to see the claim it was scored on, what the rubric measures there and how much it weighs, and where the evidence came from.
Craft and portfolio evidenceStrong
40+ named client case studies at /projects/<client> (sitemap-confirmed), including Slack, Asana, Salesforce, Google, Discord, Square, Zendesk, MongoDB, OpenSea. Work is current: Asana AI campaign across CTV/billboards/radio, and a 2026 press release cites a 2026 Webby nomination for Rubrik's 'Rewind It Back' and a 2026 Inc. 5000 ranking (#1,873, 189% three-year growth). Case study pages read first-hand; the videos themselves were not watched, so craft quality is judged from client roster, recency and specificity rather than viewed footage. Not Excellent because attribution is self-published and the Webby/Inc claims were read only in Thinkmojo's own press release.
What this dimension measures: The primary reason to hire a production agency. Look for a body of work that is current, attributable and recognisable, with named clients whose brands carry real standards. Distinctive, consistently high-quality output for demanding clients scores 4-5. Competent, generic output scores 3. A portfolio dominated by work more than two years old scores 2 — the team that made it has usually moved on. Where reviewers independently credit narrative or storytelling ability rather than just delivery, weight that: turning a complex proposition into something clear is the hard part of this job. Counts for 25% of the weighted score.
Evidence: partly checkable — corroborated in part against the sources below; the remainder rests on the agency’s own account.
Scope and pricing transparencyWeak
No pricing page exists (direct fetch of /pricing returns 404, and the sitemap has no pricing, packages or FAQ page). No published ranges by video type; engagement starts from a contact form or hello@thinkmojo.com. Bespoke-only quoting with no public anchor. Scope itself is reasonably clear (video and motion for tech brands, product explainers to brand campaigns), which keeps this off the floor.
What this dimension measures: Published prices, published ranges by video type, or fixed productized packages score 4-5, and an all-inclusive fee that covers script, music, narration and revisions scores at the top of that band because the quoted number is then the real number. Ranges given only on request score 2-3. Bespoke-only quoting with no public anchor scores 1-2. Score scope clarity alongside price: a vendor that states plainly what it does NOT do — no shoots, no strategy, animation only — is more useful than one implying it does everything, and should not be penalised for the boundary itself. Counts for 20% of the weighted score.
Evidence: inferred — our reading of indirect evidence, not a documented fact.
Stronger here: Epipheo scores Excellent on the same dimension.
Process and project managementWeak
No process, methodology or FAQ page anywhere on the site (sitemap-confirmed: only home, about, contact, jobs, work and project pages). Homepage offers 'creative meets strategy' positioning but no described stages, approval gates or tooling. Zero independent reviews on Clutch means no third-party commentary on communication or on-time delivery either.
What this dimension measures: Video projects fail on coordination far more often than on craft. Look for a described process, named collaboration tooling, defined approval gates, and independent reports of on-time delivery. Reviewers consistently citing clear communication and structured workflow score 4-5. No described process and no reviewer commentary scores 2-3. A vendor whose reviews mention schedule slippage or unresponsive periods scores 1-2 on verified evidence. Counts for 15% of the weighted score.
Evidence: inferred — our reading of indirect evidence, not a documented fact.
Stronger here: Vidico scores Excellent on the same dimension.
Format and production rangeStrong
Case studies span animation (3D animation series for Mixpanel, motion design systems), product explainers, live event production, brand campaigns and national broadcast/CTV spots (Asana AI campaign across CTV, billboards and radio). Both animation and live-action/event capability across multiple formats, per their own project pages.
What this dimension measures: What the agency can actually produce: live action, animation (2D/3D), motion graphics, studio versus location, and the format and aspect-ratio coverage needed for where the video will run. Both live action and animation, across multiple formats, scores 4-5. A single modality scores 2-3 — not a defect, but a real ceiling that the buyer must match against the brief. Animation-only vendors in particular cannot serve briefs that need people on camera, and that should be stated in the verdict rather than discovered later. Counts for 15% of the weighted score.
Evidence: vendor stated — the agency’s own claim, recorded as theirs rather than ours.
Rights, ownership and licensingWeak
Complete silence. Nothing on the site about who owns finals, raw footage or project files, or how long music, stock and talent licences run. Must be raised before contracting.
What this dimension measures: Who owns the final file, the raw footage and the project files, and for how long the music, stock and talent licences run. This is where video differs most sharply from design: a licence that expires, or talent usage limited by term and territory, can make a video unusable in year two. Explicit ownership transfer with stated licence terms scores 4-5. Finals-only delivery scores 2. Silence scores 2 and should be raised before contracting, since retrospective clearance is expensive. Counts for 10% of the weighted score.
Evidence: inferred — our reading of indirect evidence, not a documented fact.
Stronger here: Epipheo scores Strong on the same dimension.
Turnaround and schedulingWeak
No stated timelines from brief to delivery anywhere on the site, and no indication of how far out they book. Undisclosed scheduling.
What this dimension measures: Stated timelines from brief to delivery, and how far out the agency books. Fixed, published timelines score 4-5. Multi-month cycles are normal for high-end work and score 2-3 — score the honesty of the estimate rather than the length, since a realistic twelve weeks beats an optimistic four. Undisclosed scheduling scores 2. Counts for 10% of the weighted score.
Evidence: inferred — our reading of indirect evidence, not a documented fact.
Stronger here: Epipheo scores Excellent on the same dimension.
References and review baseWeak
Clutch profile read first-hand: 0 verified reviews, 0.0 score, despite operating since 2011-2012. No readable G2 review base (G2 seller page only). FeaturedCustomers claims 4 testimonials but is not a verification-requiring platform and was not read first-hand. No independent review base located.
What this dimension measures: Volume and recency of independent, verified reviews. A substantial base on a verification-requiring platform scores 4-5; a handful of reviews scores 2-3; none located scores 2. Low weight deliberately — in this category a portfolio is more informative than a review count, and several excellent production shops have almost no review footprint because their work arrives by referral. Counts for 5% of the weighted score.
Evidence: verified — checked against a named source you can open; the links under Sources below are where to check it yourself.
Stronger here: Vidico scores Excellent on the same dimension.
Verdict
Thinkmojo is a real, currently active project-based video production studio, founded 2012 with offices in San Francisco and Montreal, focused on product explainers, launch videos, brand campaigns, motion design and event content for technology companies. The portfolio is the reason to look at them: the sitemap confirms 40+ individual project pages for named clients including Slack, Asana, Salesforce, Google, Discord, Square, Zendesk and MongoDB, and the work is demonstrably current - the Asana case study describes a global AI campaign running across CTV, billboards and radio, and an August 2026 press release cites a 2026 Inc. 5000 ranking (No.
1,873 on 189% three-year growth) and a 2026 Webby nomination for Rubrik's 'Rewind It Back' campaign. Range covers both animation (including 3D series work) and live-action, event and broadcast formats.
Everything a buyer needs beyond the portfolio is undisclosed. There is no pricing page, no ranges by video type, no FAQ, no described production process, no stated timelines, and nothing on rights, ownership or licensing - the sitemap shows the site consists entirely of home, about, contact, jobs and portfolio pages.
Engagement starts from a contact form or an email address with no public anchor on cost or schedule. For a category where a licence that expires or talent usage limited by term can make a video unusable in year two, the total silence on rights is the single most important thing to raise before contracting.
The independent evidence base is unusually thin for a firm of this age and client roster. The Clutch profile, read first-hand, shows zero verified reviews; no readable G2 or Google review base was located. That pattern is consistent with a referral-driven shop - the rubric weights it low for exactly that reason - but it means every claim about communication, on-time delivery and cost behaviour rests on Thinkmojo's own telling.
The attribution of the flagship work is self-published; the Inc. 5000 listing and Webby nomination are checkable in principle but were read here only in the company's own press release.
Still unknown: what any video costs, how long production takes, what the process and approval structure look like, who owns the deliverables and for how long the licences run, and whether any client would independently corroborate the experience. The buyer profile that fits is a tech company commissioning considered brand or product video that will get references directly and negotiate rights explicitly, not one that needs published anchors before a first call.
What you can do next
Koolav can make the introduction and handle the back-and-forth, or you can go straight to the agency.
This agency has not published a paid trial. What a paid trial is.
What we verified
Each claim below was checked against a named source, last on 2026-08-26. Follow any of them and check for yourself — that is the point of publishing them.
- Site returns a genuine HTTP 404 for the nonsense-path control; page contents can be trusted to match their URLs thinkmojo.com ↗
- Sitemap contains no pricing, process, or FAQ pages - only home, about, contact, jobs, work, 40+ /projects/ case studies and 180+ Wistia video pages thinkmojo.com ↗
- Clutch profile exists with zero verified client reviews clutch.co ↗
- Company press release (Aug 11, 2026) claims No. 1,873 on the 2026 Inc. 5000 with 189% three-year revenue growth and a 2026 Webby nomination for Rubrik's 'Rewind It Back' campaign prweb.com ↗
- Asana case study describes a current global AI campaign across CTV, billboards and radio plus a scalable demo system thinkmojo.com ↗
No independent reviews found
No independent client reviews located: the Clutch profile (read first-hand 2026-08-25) shows 0 verified reviews and a 0.0 score; no readable G2 or Google review base found. FeaturedCustomers lists 4 testimonials but is not a verification-requiring platform and was not read first-hand, so no numbers are cited.
Not finding one is not a mark against the agency and does not move the score. It does mean there is no third-party record to set against ours — so this verdict rests on the rubric and the sources above, and nothing else.
What we could not verify
- What any video type costs - no pricing, ranges or minimums are published anywhere
- Production timelines from brief to delivery, and how far out they book
- Who owns finals, raw footage and project files, and the term of music, stock and talent licences
- What the production process, approval gates and collaboration tooling actually are
- Whether any client would independently corroborate communication and on-time delivery - zero independent reviews exist to check against
Sources
- https://www.thinkmojo.com
- https://www.thinkmojo.com/this-page-cannot-possibly-exist-9f3k2
- https://www.thinkmojo.com/work
- https://www.thinkmojo.com/about
- https://www.thinkmojo.com/contact
- https://www.thinkmojo.com/sitemap.xml
- https://thinkmojo.com/projects/asana
- https://thinkmojo.com/projects/discord
- https://clutch.co/profile/thinkmojo
- https://www.prweb.com/releases/thinkmojo-joins-the-2026-inc-5000-following-189-three-year-growth-302846764.html
- https://wistia.com/learn/production/slack-product-video
Others we evaluated in Video Production
Same rubric, same evaluator, same date range — so these are directly comparable to the verdict above.
See all 62 Video Production agencies we evaluated →
Think this is wrong?
If anything on this page is wrong or out of date, send us the correction and we will re-read the site.
Evidence moves a verdict. Money never does — no agency pays us for a listing, a placement, or a re-review. Whatever we conclude we publish, including that the verdict stands.